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	<title>Jamie Malanowski &#187; Media</title>
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		<title>SERGEY BRIN: MEET THE NEW BOSS. . .</title>
		<link>http://jamiemalanowski.com/blogwp/sergey-brin-meet-the-new-boss/</link>
		<comments>http://jamiemalanowski.com/blogwp/sergey-brin-meet-the-new-boss/#comments</comments>
		<pubDate>Wed, 18 Apr 2012 18:26:02 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[The Economy]]></category>
		<category><![CDATA[google]]></category>
		<category><![CDATA[Sergey Brin]]></category>
		<category><![CDATA[The Guardian]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8651</guid>
		<description><![CDATA[Here is an Iron Law of the modern era: When rich guys talk about freedom, hold on to your wallet. They are almost always talking about ways to make themselves more free to get more money. Case in point: in an interview with The Guardian on Sunday, Sergey Brin, the co-founder of Google, said that [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/04/google-cofounder-sergey-brin.jpg" alt="" title="google-cofounder-sergey-brin" width="400" height="300" class="alignleft size-full wp-image-8652" />Here is an Iron Law of the modern era: When rich guys talk about freedom, hold on to your wallet. They are almost always talking about ways to make themselves more free to get more money.</p>
<p>Case in point: <a href="http://www.guardian.co.uk/technology/2012/apr/15/web-freedom-threat-google-brin?INTCMP=SRCH">in an interview with The Guardian on Sunday</a>, <strong>Sergey</strong> <strong>Brin</strong>, the co-founder of Google, said that the principles of openness and universal access that underpinned the creation of the internet are under threat. &#8220;Very powerful forces have lined up against the open internet on all sides and around the world&#8221;. Brin says that the threats come from governments increasingly trying to control access and communication by their citizens; the entertainment industry&#8217;s attempts to crack down on piracy; and the rise of &#8220;restrictive&#8221; walled gardens such as Facebook and Apple, which tightly control what software can be released on their platforms.</p>
<p>Brin has accumulated a fortune that Forbes says is worth $18.7 billion, by creating a powerful research tool that has almost achieved monopoly status in its ability to help find information. And what he seems to be objecting to is the ability of others to infringe on his monopoly.</p>
<p>Brin seems most reasonable when he objects to government interference in the ability of its citizens to use the web. Everyone hopes that the efforts of China, Iran, Russia, North Korea and Saudi Arabia soon collapses in failure. But Brin objects not only to traditionally authoritarian states, but also to Great Britain, which plans to monitor social media and web use. The UK is doing this in response to concerns about terrorism and about criminal activity. Now, anyone with half a brain knows that whenever a government monitors its citizens, the government itself has to be watched with a close and skeptical eye. But fighting terrorism, child pornography and cyber-bullying are activities squarely within the legitimate police power of the state. Do we want to stop terrorists from conspiring in restaurants but allow them to plot away in cyberspace? Don&#8217;t be daft.</p>
<p>Now look what else Brin objects to: the attempts of entertainment companies to fight piracy. Where is freedom under threat here? I don&#8217;t think stopping people from stealing the work of other people is a threat against freedom. It&#8217;s a pollution of the language to think otherwise. Brin also objects to the tight control Facebook and Apple exert over their platforms. &#8220;There&#8217;s a lot to be lost,&#8221; he said. &#8220;For example, all the information in apps – that data is not crawlable by web crawlers. You can&#8217;t search it.&#8221; He says that under such rules, he and co-founder Larry Page would not have been able to create Google. &#8220;You have to play by their rules, which are really restrictive,&#8221; he said. &#8220;The kind of environment that we developed Google in, the reason that we were able to develop a search engine, is the web was so open. Once you get too many rules, that will stifle innovation.&#8221;</p>
<p>It seems to me that the main reason Brin is objecting to other people protecting their property is that it makes his property less valuable. He says that he&#8217;s concerned that having these kinds of regulations will stifle innovation. I&#8217;m sure he&#8217;s right. Look how locks and safes have stifled growth and innovation in the field of bank robbery.</p>
<p>It was interesting to place Brin&#8217;s spirited defense of freedom in light of Google&#8217;s announcement last week that it was going to split its stock. It seems that the freedom that Brin so staunchly champions in cyberspace is not something he values as much on such real world places as Wall Street.<a href="http://dealbook.nytimes.com/2012/04/16/stock-split-for-google-that-cements-control-at-the-top/?emc=eta1"> As <strong>Andrew Ross Sorkin</strong> reported in <em>The New York Times</em></a> on Monday (speaking of places that probably wished it could have preserved the value of its intellectual property on the internet), Brin, Page and company chairman Eric Schmidt &#8220;cleverly&#8221; created the stock split so that Google could issue a special new class of shares to current shareholders. The catch: the new class of shares has no voting rights. &#8220;In other words, the entire point of the stock split was to solidify the founders’ control of the company by diminishing the future voting power of the shareholders. So even as the founders continue a plan to sell some of their shares over the next three years through a program they enacted in 2009 and the company continues to issue new shares to employees, they have developed a plan to retain an iron grip over Google.&#8221; This decision will be put before shareholders at the company&#8217;s annual meeting, but since these three principles own two-thirds of the company, the result is a foregone conclusion: with every new non-voting share they sell, the voting shares they retain will be all the more powerful. &#8220;At a time when shareholders are increasingly seeking a bigger voice and more democracy,&#8221; says Sorkin, &#8220;Google is going the other way.&#8221;</p>
<p>It&#8217;s not threats to freedom that Brin wants to stop. It&#8217;s threats to his power.</p>
<p>Meet the new boss, same as the old boss.</p>
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		<title>ZOO BE ZOO BE ZOO!</title>
		<link>http://jamiemalanowski.com/blogwp/zoo-be-zoo-be-zoo/</link>
		<comments>http://jamiemalanowski.com/blogwp/zoo-be-zoo-be-zoo/#comments</comments>
		<pubDate>Mon, 26 Mar 2012 13:32:29 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Jessica Pare]]></category>
		<category><![CDATA[Mad Men]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8580</guid>
		<description><![CDATA[The fifth season of Mad Men got off to a fast start, and although a lot was happening, the episode will likely go down as the `Zoo Be Zoo Be Zoo&#8217; episode, after the song that Jessica, Don&#8217;s young wife, performed for him at the birthday party she threw for him. As Lauren Streib reports [...]]]></description>
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<p>The fifth season of <em>Mad Men</em> got off to a fast start, and although a lot was happening, the episode will likely go down as the `Zoo Be Zoo Be Zoo&#8217; episode, after the song that Jessica, Don&#8217;s young wife, performed for him at the birthday party she threw for him.</p>
<p>As <strong>Lauren Streib</strong> reports in <em>The Daily Beast</em>, the song is actually called `Zou Bisou Bisou&#8217;. &#8220;The original version was recorded by <strong>Gillian Hills</strong>, a Brigitte Bardot lookalike who found fame as a French yé-yé girl—one of a handful of young, female European singers who catapulted yé-yé music into an international movement, popular among teens during the era. (“Yé-yé” refers to exclamations of “yeah yeah!” during rock and roll.) Roughly translated, “zou” is a casual exclamation and “bisou” is a sweet kiss—a peck on the cheek to say hello and goodbye. So the lyrics hash out to: Oh! Kiss kiss / My God, they are sweet! / …Oh! Kiss kiss / the sound of kisses /…Oh! Kiss kiss /…That means, I confess / But yes, I love only you!&#8221;</p>
<p>The song was performed by <strong>Sophia Loren</strong> in the 1960 film <em>The Millionairess</em>, co-starring <strong>Peter Sellers</strong>. &#8220;Loren sang an English version, Zoo Be Zoo Be Zoo. Loren’s version uses the same tune, but the lyrics and delivery swell with a bit more sophistication. The movie was a hit in the U.K., though the American response was lukewarm.&#8221;</p>
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		<title>THE SEXIST HYPOCRISY OF BILL MAHER</title>
		<link>http://jamiemalanowski.com/blogwp/the-sexist-hypocrisy-of-bill-maher/</link>
		<comments>http://jamiemalanowski.com/blogwp/the-sexist-hypocrisy-of-bill-maher/#comments</comments>
		<pubDate>Sat, 24 Mar 2012 20:41:43 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Bill Maher]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8563</guid>
		<description><![CDATA[I was sorry to see that on Wednesday The New York Times Op-Ed page turned over a third of its precious acreage to Bill Maher so that he could offer some self-serving drivel about how America needs to be more accepting of dumb, vaguely insulting jokes. At least that what he seemed to be saying. [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/03/billmaher.jpg" alt="" title="billmaher" width="291" height="400" class="alignleft size-full wp-image-8564" />I was sorry to see that on Wednesday <em>The New York Times</em> Op-Ed page turned over a third of its precious acreage to <strong>Bill Maher</strong> so that he could offer some self-serving drivel about how America needs to be more accepting of dumb, vaguely insulting jokes.</p>
<p>At least that what he seemed to be saying. He led off referring to a lame joke that <strong>Robert DeNiro</strong> made at an Obama fundraiser about whether America is ready for a white First Lady, which caused professional mischief-maker <strong>Newt Gingrich</strong> to pause in his brilliant parody of a political campaign to demand that <strong>President Obama</strong> offer an apology. DeNiro tugged his forelock and everything was set to be forgotten when Maher chose to spotlight the event as Exhibit A in his campaign against Excessive Touchiness. </p>
<p>&#8220;When did we get it in our heads that we have the right to never hear anything we don’t like? In the last year, we’ve been shocked and appalled by the unbelievable insensitivity of Nike shoes, the Fighting Sioux, <strong>Hank Williams Jr., Cee Lo Green, Ashton Kutcher, Tracy Morgan, Don Imus, Kirk Cameron, Gilbert Gottfried</strong>, the Super Bowl halftime show and the ESPN guys who used the wrong cliché for <strong>Jeremy Lin</strong> after everyone else used all the others. Who can keep up? ‘’</p>
<p>Surely I can’t; I wouldn’t pass the final if these questions were on Intro to Contretemps 101. But this appeal to reason was hardly Maher’s true agenda. Maher was camouflauing himself amid these minor offenders because just a couple of weeks ago, after <strong>Rush Limbaugh</strong> was roundly and soundly rebuked for his nasty and misogynistic vilification of the Georgetown Law school student <strong>Sandra Fluke</strong>, Maher found himself dragged up on similar charges.  In the <em>Daily Beast</em>, <strong>Kirsten Powers</strong> cataloged the painfully large number of insults that supposedly liberal commentators used against women who happened to hold views different than their own. Among those she cited: <strong>Ed  Schultz</strong> calling <strong>Laura Ingraham</strong> a “right-wing slut” on MSNBC ; <strong>Keith Olbermann</strong> saying on MSNBC that <strong>Michelle Malkin</strong> was &#8220;a mashed-up bag of meat with lipstick’’; <strong>Chris Matthews</strong>, again on MSNBC, calling <strong>Hilary Clinton</strong> at various times a “she-devil,” “<strong>Nurse Ratched</strong>,” “<strong>Madame Defarge</strong>”,  “witchy,” “anti-male,” and “uppity”; and <em>Rolling Stone</em>’s <strong>Matt Taibbi</strong>, who wrote in his blog,  “When I read [Malkin’s] stuff, I imagine her narrating her text, book-on-tape style, with a big, hairy set of balls in her mouth.” </p>
<p>&#8220;But the grand pooh-bah of media misogyny,’’ wrote Powers, &#8220;is without a doubt Bill Maher—who also happens to be a favorite of liberals—who has given $1 million to President Obama’s super PAC. Maher has called <strong>Sarh Palin</strong> a “dumb twat” and &#8220;a cunt.’’ He called Palin and <strong>Michelle Bachmann</strong> &#8220;MILFs’’&#8211;&#8220;Morons I’d Like to Forget.’’</p>
<p>As is now all too obvious, Maher didn’t write the article because he was concerned about people being too insensitive; it’s because being a pig and a boor is a big part of his act, and he’s probably worried that if too many people start to call him on it, he’ll lose his HBO gig and find himself back in  front of a brick wall at Mr. Laffs saying &#8220;Hey, tell me—what’s with chicks and shoes?’’</p>
<p>&#8220;I don’t want to live in a country where no one ever says anything that offends anyone,’’ writes Maher.  &#8220;If we sand down our rough edges and drain all the color, emotion and spontaneity out of our discourse, we’ll end up with political candidates who never say anything. . . ‘’ </p>
<p>Is that what Maher is doing when he calls Palin a cunt? Being a little rough-edged? Supplying a little color? Emotion? I know it’s not spontaneity. Every one of those witless insults is measured for effect, calculated to get the meatheads in the audience to go &#8220;Woooooo!’’</p>
<p>These remarks are not clever, or witty, or even very entertaining, and certainly not brave. They’re just markers, a way Maher tells the audience that he and they are alike because none of them likes Palin, except that he’s a bigger truth-teller, because he’s willing to be bolder, more irreverent, and more obscene.</p>
<p>In fact, all he’s doing is being a pig. He may as well oink at his audience, and let them squeal at him in return. He may as well run as advertisement that says &#8220;I can&#8217;t help it if I&#8217;m not as smart as <strong>Jon Stewart or Stephen Colbert</strong>.&#8221;</p>
<p>Maker may contend that he treats men just as harshly as women, but he’s smart enough to recognize the weakness of that argument. Men are not laboring under the effects of centuries of discrimination and worse. He wouldn’t use words like nigger and kike, and for the same reasons, he shouldn’t use cunt or slut or twat. These words cut more deeply than we can see. A 2010 study showed that calling a female candidate such sexist names as &#8220;ice queen&#8221; and &#8220;mean girl&#8221; significantly undercut her political standing, and did much more harm than gender-neutral criticism based solely on her policy positions and actions. &#8220;Harder-edged attacks, such as referring to her as a prostitute, were equally damaging among voters,’’ reported <em>USA Today</em>. &#8220;The female candidate lost twice as much support when even the mild sexist language was added to the attack. Support for her initially measured at 43% fell to 33% after the policy-based attacks but to 21% after the sexist taunts.’’ The study showed that the drop was significant among both men and women, those under 50 and over 50, and those with college educations and without. &#8220;The sexist language undermined favorable perceptions of the female candidate, leading voters to view her as less empathetic, trustworthy and effective.’’</p>
<p>Maher says he doesn’t want to live in a country where no one ever says anything that offends anyone. I don’t think he’s in any real danger of that. What I don’t want is to live in a country where my wife or my daughters or my friends could stand up and speak their minds, and be slagged as a slut or a cunt by nitwits like Limbaugh or Maher. This isn’t Afghanistan or Iran. Women shouldn’t be ridiculed and degraded for speaking their minds. </p>
<p>Maher’s on HBO, so his piggery can’t cost him advertisers. But what it ought to cost him is the approval of free-thinking people. So here’s my question. It’s for <strong>Charles Blow Arianna Huffington Alexandra Pelosi, Andrew Sullivan, Russ Feingold, James Carville, Ross Douthat, Neil deGrasse Tyson, John Heilemann ,Eliot Spitzer, Al Sharpton Bill Moyers, Jennifer Granholm, Chris Matthews</strong> and all the other leaders who have been on guests on Maher’s program. Is whatever you’re selling so important that you will perfume Maher’s stench with your presence on his stage?</p>
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		<title>LUBRICATE YOURSELF, WEEKLY STANDARD!</title>
		<link>http://jamiemalanowski.com/blogwp/lubricate-yourself-weekly-standard/</link>
		<comments>http://jamiemalanowski.com/blogwp/lubricate-yourself-weekly-standard/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 16:24:57 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Daniel Halper]]></category>
		<category><![CDATA[drinking]]></category>
		<category><![CDATA[Irish]]></category>
		<category><![CDATA[Joe Biden]]></category>
		<category><![CDATA[Weekly Standard]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8555</guid>
		<description><![CDATA[A writer named Daniel Halper at the conservative Weekly Standard, a publication that brooks no impediment in its reflexive rush to insult the administration, has reported on the publication&#8217;s blog that earlier this week, Vice President Joe Biden took the occasion of an official White House reception for the Irish Prime Minister Edna Kelly to [...]]]></description>
			<content:encoded><![CDATA[<p><object width="420" height="315"><param name="movie" value="http://www.youtube.com/v/aRtP-PUQPPM?version=3&amp;hl=en_US&amp;rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/aRtP-PUQPPM?version=3&amp;hl=en_US&amp;rel=0" type="application/x-shockwave-flash" width="420" height="315" allowscriptaccess="always" allowfullscreen="true"></embed></object>A writer named <strong>Daniel Halper</strong> at the conservative <em>Weekly Standard</em>, a publication that brooks no impediment in its reflexive rush to insult the administration, <a href="http://www.weeklystandard.com/blogs/biden-tells-dirty-joke_634304.html">has reported on the publication&#8217;s blog</a> that earlier this week, Vice President <strong>Joe Biden</strong> took the occasion of an official White House reception for the Irish Prime Minister <strong>Edna Kelly</strong> to publicly tell &#8220;a dirty joke.&#8221; Well, this seemed ridiculous on its face, since Joe is a 69 year-old Irish Catholic gentleman who generally knows how to behave in public. And sure enough, here is what Joe actually said: </p>
<p>&#8220;You know there’s and old Irish saying&#8211;there’s all kinds of old Irish sayings. (Laughter.) At least my <strong>Grandfather Finnegan</strong>, I think he made them up, but it says, may the hinges of our friendship never go rusty.  Well, with these two folks that you’re about to meet, if you haven’t already, there’s no doubt about them staying oiled and lubricated here. Ladies and gentlemen &#8212; (laughter) &#8212; now, for you who are not full Irish in this room, lubricating has a different meaning for us all.&#8221;</p>
<p>There&#8217;s the line Halper thinks is a dirty joke: &#8220;Lubricating has a different meaning for us all.&#8221;</p>
<p>Well, lubricating may have a lot of meanings, but the Oxford English Dictionary offers only three. The first is to &#8220;apply a substance such as oil or grease to (an engine or component) to minimize friction and allow smooth movement: <em>remove the nut and lubricate the thread</em>.&#8221; The second is to &#8220;make (a process) run smoothly: <em>the availability of credit lubricated the channels of trade.</em>&#8221; The third is &#8220;informal, to make (someone) convivial, especially with alcohol: <em>men lubricated with alcohol speak their true feeling</em>s.&#8221; <em>Drinking</em>. Biden was talking about <em>drinking</em>. He was meeting some Irish people, and he saw an opportunity to bring up a cliched and by now faintly insulting stereotype about the Irish and drinking. But to leap to the idea that he is referring to something sexual?</p>
<p>I think there are two ways to interpret this story. One is that Biden made a glancing sexual reference at a White House function for the female prime minister of Ireland. The other is that Daniel Halper has told us entirely too much about the contents of his night table.</p>
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		<title>&#8220;THEY ALWAYS WANT THE WRITER TO WORK FOR NOTHING&#8221;</title>
		<link>http://jamiemalanowski.com/blogwp/they-always-want-the-writer-to-work-for-nothing/</link>
		<comments>http://jamiemalanowski.com/blogwp/they-always-want-the-writer-to-work-for-nothing/#comments</comments>
		<pubDate>Tue, 06 Mar 2012 14:17:58 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Books & Authors]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[getting paid]]></category>
		<category><![CDATA[Harlan ellison]]></category>
		<category><![CDATA[writers]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8480</guid>
		<description><![CDATA[The brilliant Harlan Ellison on the sad state of the American writer.]]></description>
			<content:encoded><![CDATA[<p><object width="560" height="315"><param name="movie" value="http://www.youtube.com/v/mj5IV23g-fE?version=3&amp;hl=en_US&amp;rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/mj5IV23g-fE?version=3&amp;hl=en_US&amp;rel=0" type="application/x-shockwave-flash" width="560" height="315" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>The brilliant <strong>Harlan Ellison</strong> on the sad state of the American writer.</p>
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		<title>THE DEADSPINNER</title>
		<link>http://jamiemalanowski.com/blogwp/the-deadspinner/</link>
		<comments>http://jamiemalanowski.com/blogwp/the-deadspinner/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 15:42:13 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Books & Authors]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Deadspin]]></category>
		<category><![CDATA[Will Leitch]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8284</guid>
		<description><![CDATA[Last week I had the pleasure of meeting Will Leitch, erstwhile prime mover of the very funny and wildly popular Deadspin blog, once and eternally the target of Buzz Bissinger&#8216;s bizarre and overbearing anti-sports blog blast on Bob Costas&#8216;s HBO show, and now Contributing Editor to New York magazine, where he lends his elegant stylings [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/100_0426-290x217.jpg" alt="" title="100_0426" width="290" height="217" class="alignleft size-medium wp-image-8285" />Last week I had the pleasure of meeting <strong>Will Leitch</strong>, erstwhile prime mover of the very funny and wildly popular Deadspin blog, once and eternally the target of <strong>Buzz Bissinger</strong>&#8216;s bizarre and overbearing anti-sports blog blast on <strong>Bob Costas</strong>&#8216;s HBO show, and now Contributing Editor to <em>New York</em> magazine, where he lends his elegant stylings mostly but not exclusively to sports topics. We talked at the blonde piney and micro beery Downtown Bar and Grill on Court Street in beautifully gentrified Bourem Hill, which looks vastly more prosperous since I last stomped its sidewalks some decades ago. A very pleasant afternoon indeed.</p>
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		<title>MARILYN MONROE: NEW VIEWS, CLASSIC VIEWS</title>
		<link>http://jamiemalanowski.com/blogwp/marilyn-monroe-new-views-classic-views/</link>
		<comments>http://jamiemalanowski.com/blogwp/marilyn-monroe-new-views-classic-views/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 16:13:40 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Books & Authors]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Pop Culture]]></category>
		<category><![CDATA[Eve Arnold]]></category>
		<category><![CDATA[Marily Monroe]]></category>
		<category><![CDATA[Simon Doonan]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8243</guid>
		<description><![CDATA[Simon Doonan had a wonderful article in Slate last week about his experience designing the installation for the auction of Marilyn Monroe&#8216;s effects for Christie&#8217;s in 1999. Doonan says the process of cataloging her belongings took months, but &#8220;Right away, I discovered that Marilyn was shockingly and unimaginably slender. She was sort of like Kate [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/tumblr_lk50nqsoVB1qzoaqio1_r1_5001-290x368.jpg" alt="" title="tumblr_lk50nqsoVB1qzoaqio1_r1_500" width="290" height="368" class="alignleft size-medium wp-image-8256" /><a href="http://www.slate.com/articles/arts/doonan/2012/01/was_marilyn_monroe_fat_her_secrets_revealed_.single.html"><strong>Simon Doonan</strong> had a wonderful article in <em>Slate</em> last week</a> about his experience designing the installation for the auction of <strong>Marilyn Monroe</strong>&#8216;s effects for Christie&#8217;s in 1999. Doonan says the process of cataloging her belongings took months, but &#8220;Right away, I discovered that Marilyn was shockingly and unimaginably slender. She was sort of like Kate Moss but fleshier on top. Didn’t see that coming, did you? When it came to finding mannequins to fit her dresses, I simply couldn’t. M.M.’s drag was too small for the average window dummy.&#8221; Doonan says he developed alternate ways to show Monroe&#8217;s famous dresses, with the lone exception of the famous Jean Louis number Marilyn wore for JFK&#8217;s birthday, for which a custom Lucite mannequin was made. Says Doonan, &#8220;When you look at Marilyn on-screen and . . .realize that the busty, ample gal brimming over <strong>Tony Curtis</strong> in <em>Some Like It Hot</em> is literally one-third your size, you have every right to become suicidal.&#8221;  </p>
<p>Doonan&#8217;s second great observation was that Monroe was not materialistic. &#8220;Marilyn Monroe. . .owned diddly-squat. . . . There were no Renoirs or Picassos. Her knickknacks were pedestrian. Her cookware was greasy. Her spatulas were bent. Even her Golden Globe was broken. The majority of her clothing showed surprising wear and tear. She had worn it all repeatedly and there just wasn’t that much of it. Her jewelry? With the exception of her <strong>DiMaggio</strong> wedding ring it was a bunch of paste danglers and costume crap. Shoes? Yes, there were several pairs of black suede Ferragamo stilettos with worn heels. But Marilyn—brace yourself for another shocker—was more into books than shoes. Her poignant desire to cultivate her mind and give herself an education resulted in an extensive library of first editions.&#8221;</p>
<p>I love that! </p>
<p>In one of those bits of harmonic convergence that we used to call coincidence, on the same day I read Doonan&#8217;s article, I read that <strong>Eve Arnold</strong> had died. The brilliant photographer had created many stunning images of celebrities and nobodies alike, but she was perhaps best known for her pictures of Monroe. You can see why.<br />
<img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/marilyn-monroe-lead-300-290x386.jpg" alt="" title="marilyn-monroe-lead-300" width="290" height="386" class="alignleft size-medium wp-image-8258" /><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/marilyn_monroe_3-268x400.jpg" alt="" title="marilyn_monroe_3" width="268" height="400" class="alignleft size-medium wp-image-8259" /><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/mm11-600x433.jpg" alt="" title="mm1" width="600" height="433" class="alignleft size-large wp-image-8262" /></p>
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		<title>RONALD SEARLE, 1920-2011</title>
		<link>http://jamiemalanowski.com/blogwp/ronald-searle-1920-2011/</link>
		<comments>http://jamiemalanowski.com/blogwp/ronald-searle-1920-2011/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 17:40:49 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Books & Authors]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Ronald Searle]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=8188</guid>
		<description><![CDATA[The peerless Ronald Searle has died in his sleep in France at the age of 91. Best known for a manically gothic style that invigorated his illustrations of the frantically anarchic schoolgirls of St. Trinian&#8217;s, the grinning, lustful oenophiles in The Illustrated Winespeak, the Molesworth series, The Rake&#8217;s Progress, The Adventures of Baron Muchausen, and [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/sttrinarle2_2098463b-290x181.jpg" alt="" title="sttrinarle2_2098463b" width="290" height="181" class="alignleft size-medium wp-image-8190" />The peerless <strong>Ronald Searle</strong> has died in his sleep in France at the age of 91. Best known for a manically gothic style that invigorated his illustrations of the frantically anarchic<img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/searle82-185x185.gif" alt="" title="searle8" width="185" height="185" class="alignright size-thumbnail wp-image-8199" /> schoolgirls of St. Trinian&#8217;s, the grinning, lustful oenophiles in <em>The Illustrated Winespeak</em>, the Molesworth series, <em>The Rake&#8217;s Progress</em>, <em>The Adventures of Baron Muchausen</em>, and his prolific magazine <img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/kwai66-264x400.jpg" alt="" title="kwai66" width="264" height="400" class="alignleft size-medium wp-image-8201" />work, Searle&#8217;s subjects always seemed to be on the verge of exploding off the page. It was, in a phrase, a lively and comic style, which seems somewhat ironic, given that during World War II, Searle spent three years suffering as a prisoner of the Japanese Imperial Army. Captured during the fall of Singapore in 1942, Searle was among 3270 men selected to work on the Burma-Siam railway, the experience which provided the real-life basis for <em>TheBridge on the River</em> <em>Kwai</em>. “My friends and I, we all signed up together,” he told an interviewer. “We had grown up together, we went to school together &#8230; Basically all the people we loved and knew and grew up with simply became fertiliser for the nearest bamboo.” Underfed and undernourished, suffering from tropical diseases and other infections, and subjected to harsh labor and sadistic brutality, Searle not only survived, but he bore witness to the horrific experience with a group<br />
<img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/RailwayofDeath21-2-42TheUndefeated-290x244.jpg" alt="" title="RailwayofDeath21-2-42TheUndefeated" width="290" height="244" class="alignleft size-medium wp-image-8204" /><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2012/01/searle5_2098596b-290x181.jpg" alt="" title="searle5_2098596b" width="290" height="181" class="alignleft size-medium wp-image-8205" /> of sketches of his comrades and captors. The miracle is that both the artist and his works survived; the double miracle is that the artist managed to return with a joie de vivre and a comic zest that constituted a triumph of his spirit. I would like to have known him.</p>
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		<title>&#8220;PRIVACY IS FOR PAEDOS&#8221;</title>
		<link>http://jamiemalanowski.com/blogwp/privacy-is-for-paedos/</link>
		<comments>http://jamiemalanowski.com/blogwp/privacy-is-for-paedos/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 00:52:20 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[News of the World]]></category>
		<category><![CDATA[Paul McMUllan]]></category>
		<category><![CDATA[privacy]]></category>
		<category><![CDATA[Rupert Murdoch]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=7952</guid>
		<description><![CDATA[Testifying before Parliament today, Paul McMullan, a former deputy features editor at Rupert Murdoch’s now-defunct News of the World tabloid, admitted that he and his colleagues hacked into people’s phones, paid police officers for tips, conducted surveillance operations in unmarked vans outside people’s homes, stole confidential documents, rifled through celebrity garbage cans and posed as [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2011/11/r-PAUL-MCMULLAN-large570-290x121.jpg" alt="" title="r-PAUL-MCMULLAN-large570" width="290" height="121" class="alignleft size-medium wp-image-7953" />Testifying before Parliament today, <strong>Paul McMullan</strong>, a former deputy features editor at <strong>Rupert Murdoch</strong>’s now-defunct <em>News of the World</em> tabloid, admitted that he and his colleagues hacked into people’s phones, paid police officers for tips, conducted surveillance operations in unmarked vans outside people’s homes, stole confidential documents, rifled through celebrity garbage cans and posed as “Brad the teenage rent boy” in propositioning a priest. &#8220;Phone hacking was a `school yard trick,&#8221; he absolved himself. &#8220;In 21 years of invading people&#8217;s privacy I&#8217;ve never actually come across anyone who&#8217;s been doing any good. Privacy is the space bad people need to do bad things in. Privacy is for paedos; fundamentally nobody else needs it.&#8221;</p>
<p>This, of course, is the same excuse law enforcement officials have used for 24-hour CCTV coverage, national identity cards, DNA data bases, and other forms of surveillance: &#8220;If you have nothing to hide, you have nothing to fear.&#8221; But we do all have things to hide, and not all of them rise to level of criminality. Burping, farting, scratching our nether regions, picking our noses, pleasuring ourselves, making rude remarks, cracking thoughtless jokes, drinking milk straight out the carton&#8211;well, that would be an inventory of my morning that I wouldn&#8217;t care to see immortalized on the world wide web. And there are other activities&#8211;lighting up a doobie, stepping out on the missus&#8211;that may be immoral or illegal, but really aren&#8217;t any business of the public. It&#8217;s not the kind of information that the authorities should be accumulating, and it certainly isn&#8217;t what journalists should be gathering either.</p>
<p>I&#8217;m not about to go all Columbia School of Journalism all over McMullan, but as someone who, as an editor of <em>Spy</em> was party to going through the trash cans of celebrities, and to playing pranks on the rich and powerful that involved identity misrepresentation, I think I&#8217;m in a pretty good position to tell McMullan where to get off. Privacy is not the space bad people need to do bad things. Privacy is the space people need to avoid judgmentalism, and it is not up to us who needs it and why. Pedophiles are not entitled to privacy for the obvious reason that they are perpetrating a crime; privacy is a non-factor once another party has been injured. McMullan, of course, and his ilk do not spend very much of their time capturing pedophiles, and spend a far greater portion tracking philandering footballers and amorous starlets and kinky executives. When <strong>Lindsay Lohan</strong> and <strong>Mel Gibson</strong> sprawl their problems on the sidewalk, it seems to me that they are fair game for journalists. But journalists are not the Mutaween, self-appointed enforcers of morality and the law. We don&#8217;t get to pursue and harass, and we certainly don&#8217;t get to lap the police in being able to probable without probable cause and warrants. That&#8217;s just not our job; it&#8217;s just not the way we do things. It&#8217;s kind of refreshing that McMullan spoke up for himself so unapologetically before the lawmakers, but I am happy to say that if he ever came into any of the publications where I worked and proposed using his usual news gathering techniques , I&#8217;m certain we would have unapologetically kicked his ass into the street.</p>
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		<title>TOM WICKER, RIP</title>
		<link>http://jamiemalanowski.com/blogwp/tom-wicker-rip/</link>
		<comments>http://jamiemalanowski.com/blogwp/tom-wicker-rip/#comments</comments>
		<pubDate>Sun, 27 Nov 2011 17:23:32 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Books & Authors]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Kennedy assassination]]></category>
		<category><![CDATA[Tom Wicker]]></category>

		<guid isPermaLink="false">http://jamiemalanowski.com/blogwp/?p=7913</guid>
		<description><![CDATA[The great reporter and columnist Tom Wicker of The New York Times, died on Friday at the age of 85. In a long and distinguished career, he stood out for his clear thinking, probity, and ethical courage. The defining moment of his career was his performance covering the assassination of John F. Kennedy, which was [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://jamiemalanowski.com/blogwp/wp-content/uploads/2011/11/Tom_Wicker-AP6309120290_620x350-290x163.jpg" alt="" title="Tom_Wicker-AP6309120290_620x350" width="290" height="163" class="alignleft size-medium wp-image-7914" />The great reporter and columnist <strong>Tom Wicker</strong> of <em>The New York Times</em>, died on Friday at the age of 85.  In a long and distinguished career, he stood out for his clear thinking, probity, and ethical courage. The defining moment of his career was his performance covering the assassination of John F. Kennedy, which was described beautifully by <strong>Gay Talese </strong>in <em>The Kingdom and The Power</em>, his amazing book about <em>The New York Times</em>. On the scene in Dallas, Wicker “scribbled his observations and facts across the back of a mimeographed itinerary of Kennedy’s two-day tour of Texas,&#8221; wrote Talese. &#8220;It was a remarkable achievement in reporting and writing, in collecting facts out of confusion, in reconstructing the most deranged day in his life, the despair and bitterness and disbelief, and then getting on a telephone to New York and dictating the story in a voice that only rarely cracked with emotion.&#8221; To read Wicker&#8217;s report, click <a href="http://www.nytimes.com/learning/general/onthisday/big/1122.html?scp=1&#038;sq=Kennedy%20Shot%20to%20Death%20in%20Dallas&#038;st=cse#article">here</a>. Talk about grace under pressure.</p>
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